Black book:
Rockville novelist can go home again
by Ellyn
Wexler
Staff Writer
Oct. 13, 2004
|
Elizabeth
Black is not in Kansas anymore.
It has been
some four decades since she has lived in the small town where she was one of
six children in a Mennonite family -- without electricity or indoor plumbing
until age 7 and educated in a one-room schoolhouse.
"We were
poor economically, but rich in the sense of family and community," she
says.
The Rockville
writer's heritage, "the windswept plains of western Kansas," is the
foundation of her first novel, "Buffalo Spirits," published earlier
this year.
Why? In the
book's acknowledgements, Black notes, "... we didn't know it then, but
place -- our wonderful little town and expanse of prairie -- played an
important role in who we would become."
Black says she
felt compelled to pen this novel "to keep alive a lifestyle," and
thought about it for four years prior to the one she actually spent writing.
The book, which is substantially autobiographical, tells the stories of two
families who lost the land they loved: one, patterned on her own, to
agribusiness in 1975, and the other, Native Americans expelled and dispossessed
from the same land 100 years before. Her protagonists, two first-person
narrators, tell the tales in alternating chapters.
Since Black's
parents' experience was "way too painful," she waited until after
their deaths to write her book.
"I lost
them within a year," she says, noting that she began working almost
immediately because "I wanted to write before I forgot."
"They
were extraordinary people," Black says. "My father was an
environmental farmer who loved the land."
At the behest
of a multinational conglomerate that wanted her father's land to use as a
cattle feedlot, the U.S. Department of Agriculture, who had extended mortgages
to farmers so that the Dust Bowl land would be utilized, recalled the loan. The
balance was to be paid within 48 hours.
"I went
into the book thinking that my father was unusual, but learned he was
typical," Black says.
But her
research indicated, "This was the pattern in the Midwest. The same
scenario played out over and over."
Although a
friend who works for DOA has explained that it was "prudent" for the
government to act as such, which gave her "insight into where they were
coming from," Black remains enraged. Writing the book, she admits, was
somewhat therapeutic.
Also on
Black's agenda in writing the book is exposing the "environmental impact
of years of misguided agriculture" and the "wanton depletion of the
non-renewable water table under the Great Plains -- which in 30 years will
create a disaster eclipsing the Dust Bowl of the 1930s."
At first, she
wanted to write nonfiction, she says, "but I thought more people would
understand and grasp it" in fictional form. "It's a glimpse into life
in the 1950s and '60s, and you have to read between the lines for the
underlying meaning."
Detours
Black didn't
start out as a writer -- although she studied creative writing at the
University of Kansas and won the top award in the school's short story contest.
Looking back, she realizes she didn't have the confidence that she could earn a
living as a writer. Instead, she chose one of a rural Kansas female's two
acceptable alternatives to being a housewife: teaching. The other option was
nursing, but, she says, "I couldn't stand the sight of blood."
Her college
advisor told her that her "job is to write a great novel about
Kansas," and that he'd rather her become a waitress than a teacher. His
rationale, she says, "Then my soul would be hungry for writing."
But perhaps
because "I lost my nerve" and never completed an assignment she had
accepted for a magazine, she taught high school English for three years in
Chicago.
She
acknowledged, "Teaching students to write left me no time to write for
myself."
"I love
the students," even now when she substitutes in the county schools, she
says, "but I love writing more." Still, teaching is a good antidote
to the loneliness of writing, and when she finished her novel last year, she
did a four-month stint teaching English at Thomas S. Wootton High School in
Rockville.
"I needed
to be with people," she explains.
Meeting, then
marrying, Edwin Black, a journalist who had been writing since age 17,
convinced her that teaching was too restrictive a career.
His logic was
irrefutable: "'You're a writer,' he told me, "'Why don't you
write?'"
As a freelance
journalist, Elizabeth Black proceeded to write pieces on women's health and
environmental issues for Chicago newspapers and magazines like Mademoiselle and
Cosmopolitan. The Blacks collaborated once, on a piece for Playboy. She served
as co-editor of Chicago Monthly magazine in the mid-1970s. In the early '80s,
she made a deal with her dermatologist that he would clear her skin and she'd
write a book for him; both fulfilled their roles.
After a year in
Israel, when the Blacks decided to return to the United States, they chose the
D.C. area, moving to Rockville in 1987 so that their daughter Rachel, now at
the Berklee School of Music in Boston, could attend the county's fine public
schools.
Together, the
Blacks owned and operated a company that published three magazines: OS2
professional, on computers; Stride, on women's health; and Biomechanics
Magazine, on medical issues. Edwin took on the editorial responsibilities and
Elizabeth, graphics and art. They had 30 employees and worked hard, around the
clock, until 1997, when they sold to a San Francisco company. Both Blacks used
the in-between year, 1999, as consultants to the new owners, to resume writing
full-time. Edwin has produced several investigative volumes, including his most
recent, "Banking on Baghdad," and has received multiple Pulitzer and
National Book Award nominations. They read and edit each other's work.
Elizabeth
became discouraged when her agent could not sell the book. "Beautifully written
but the topic is unmarketable" was the usual publisher's rejection. She
proceeded to enter every contest she qualified for announced in Poet &
Writer and placed or won in three. She was a finalist in the 2002 William
Faulkner Novel Competition and won both the Three Oaks Prize in Fiction and the
2004 Helen Wurlitzer Foundation Award. The Three Oaks award came from Story
Line Press, which subsequently published her book. The Wurlitzer Foundation
prize is three months at an artist's colony in Taos.
There will be
a lot of work to do amid the beautiful scenery and the company of other
creative beings. She is already 60 pages into her second novel, an exploration
of human relationships and middle age, but needs to do "major
research." Like her first novel, a second storyline requires a
"historical jump." A nonfiction project is also in progress:
"Amber Waves" will focus on the migration of the Russian Mennonites
to the American prairies in 1874.
And she'll
have something to dream about, too. Black hopes some day to organize a Prairie
Writers Conference.
Yes, Elizabeth
Black enjoys a rich life in suburban Rockville, but her homeland, the Great
Plains, are clearly the substance of her heart and soul.
"Buffalo
Spirits" (Story Line Press, 2004, $23.95) is available at local Barnes
& Noble and Borders bookstores as well as major online retailers.